Conservation Rooflight Installation
Slim cast frames set flush, for stone slate, listed and conservation roofs.
Around Chipping Campden you are mostly dealing with exceptional listed density, honey limestone, and that decides more about a rooflight than the rooflight does.
Slim cast frames set flush, for stone slate, listed and conservation roofs.
Roof windows trimmed into slate, clay and concrete tile without proud flashing.
VELUX fitted alongside Fakro, Keylite and Roto, chosen to suit the roof.
Actuated openers, rain sensors and controls, wired and commissioned.
Specified on U-value and g-value for the way the roof actually faces.
Misted and tired units taken out, and the opening made good underneath.
Chipping Campden is the address where the consent conversation happens before the technical one, and where getting that order wrong costs the most. The town has one of the most complete medieval and seventeenth century street frontages in England, the listing density along and behind the High Street is exceptionally high, and the roofscape of golden limestone slate is a large part of what the designation exists to protect. None of that makes a rooflight impossible in Campden. It makes the position on the roof, the unit chosen, and the sequence of who is asked what and when into the whole of the job. Severn Skylights Gloucester travels out to Campden from the city, at the far reach of the thirty miles the company works within, and a job here is planned as a heritage project with a rooflight in it rather than as a rooflight with paperwork attached.
The High Street runs in a long shallow curve with the Market Hall standing in the middle of it, and the buildings along both sides are almost continuously historic. Frontages are gabled or parapeted, the stone is the pale honey limestone the town is known for, and the roofs behind those frontages are stone slate laid steeply.
A front slope facing that street is the hardest proposal in the county to argue for. It is not that a case can never be made, because a few of these roofs already carry historic openings that predate any designation. It is that the burden of proof sits with the applicant, the conservation area appraisal for the town treats the unbroken roofscape as a defining feature, and an officer looking at a High Street elevation is weighing a private benefit against the most photographed street in north Gloucestershire. The productive conversation in Campden almost always starts somewhere else on the building.
The reason a Campden job is workable at all is the shape of the plots. The medieval burgage layout gave each frontage a long narrow strip running back from the street, and over four centuries those strips filled with rear ranges, wings, outshots, workshops and coach houses. A house with fifteen metres of frontage may have forty metres of building behind it.
That back land is where the daylight comes from. A rear range roof, set down behind the main ridge, enclosed by garden walls and the backs of the neighbouring plots, is frequently invisible from any public place. It is also frequently the roof over the kitchen, the utility or the back stair, which are the darkest spaces in the house. Establishing which slopes are genuinely unseen, including from any higher ground, is the first survey task in Campden and it is done with a camera on a pole rather than by assumption.
Cotswold stone slate laid in diminishing courses on torched battens, the covering that decides the whole detail.
Cotswold stone slate in diminishing courses, which is what the survey is looking at before it looks at the glass.
The complication is topography. Campden sits below the escarpment, and there is high ground north west of the town from which the whole roofscape is read as one surface. Long views into a settlement are a material consideration, and the officers here use them.
Practically that means the hidden rear slope test is stricter in Campden than it is in a flat town. A slope screened at street level can still be fully visible from a footpath four hundred metres away and eighty metres up. Photographs taken from those high points, showing the proposed position marked, are worth including with an application rather than waiting to be asked for them.
In much of the historic core the sensible working assumption is that the building is listed until the national list says otherwise, and that if it is not listed itself it is very likely within the curtilage of something that is. Barns, stables, walls and outbuildings behind a listed frontage are commonly caught by curtilage listing without appearing under their own name anywhere.
This matters because listed building consent is required for anything affecting special interest whether or not it is visible, and because the internal work counts. The plastered reveal, the loss of riven battens, the removal of lime mortar torching from the underside of the slates and any notching of a hand cut roof structure are all alterations to the listed fabric. The two regimes, and what each one legally demands, are set out on conservation areas and listed buildings in Gloucestershire.
Torched battens are the reason a stone slate roof is opened carefully and closed properly.
The colour of the town is a genuine technical fact rather than a description. The oolitic limestone here weathers to a deep honey tone, and the stone slates split from the local beds weather with it, so a Campden roof reads as a single material with the walls beneath it.
The consequence at an opening is that new stone is obvious. A freshly quarried or freshly imported slate sits pale and flat against a roof that has been oxidising and colonising with lichen for two or three hundred years, and it stays obvious for a decade or more. Reclaimed material matched for thickness, size and weathering colour is not a preference on a Campden roof, it is usually a condition of the consent, and sourcing it takes time that has to be built into the programme before a start date is agreed.
Cotswold stone slate here runs commonly 20 to 30mm thick, and a slated slope loads the structure at well over 100 kilograms per square metre before any snow. A standard manufactured roof window and its flashing kit are designed around a covering a fraction of that depth. Set one into a Campden roof and the frame stands proud, the kit cannot bed down onto an irregular 25mm slate, and the result reads as a modern object bolted to an old building.
A conservation unit exists for exactly this. Slim cast or pressed steel frame, a single central glazing bar, a low profile designed to sit nearly flush in a thick slate, and a dark matt factory finish. On a Campden application the officer will very often name the type in the condition rather than leave it to the applicant. Sizes, finishes and the fixing detail are on conservation rooflight installation, and the full treatment of the covering itself is on rooflights in natural slate roofs.
Cotswold stone slate is not a repeating module. The slates are graded by size and laid in diminishing courses, largest and thickest at the eaves and reducing continuously up the slope to the ridge, so no two courses share a gauge. An opening cannot be cut through that and closed around a frame. The courses above are stripped back up the slope, the frame is set, and the courses are re-laid downwards to re-establish the original rhythm.
The setting out therefore follows the coursing rather than the room. The head of the frame lands on a course boundary, the cill lands on another, and the width is chosen so the cut slates at each side fall where there is sound stone to hold a fixing. A position dictated purely by where the bed or the desk is going will produce a rectangle of wrong coursing around the window that an officer will see from the lane and that a mason will see from the ground.
On Chipping Campden roofs Conservation consent and matching the stone.
Under a good proportion of these roofs there is no underlay at all. The joints between the slates are sealed from below with a lime mortar torching, often mixed with animal hair, applied to the underside of the slates between riven battens. It is historic fabric in its own right and it cannot be taken off and put back as it was.
So the replacement detail is agreed with the conservation officer before the scaffold goes up, not decided on the boards on the second morning. The usual answer around a new opening is a breather membrane on counter battens, kept local to the work, with the surviving torching left undisturbed beyond it. Written into a method statement and submitted with the application, that detail turns a contentious point into a settled one.
Campden’s Arts and Crafts association is not decoration on this page. C. R. Ashbee moved the Guild of Handicraft here at the start of the twentieth century, the town became a centre of workshop craft, and a good deal of the surviving building fabric was conserved rather than swept away by people who argued at length about how old buildings should be handled.
The practical effect on a rooflight application is that the standard of finish expected here is high, and that arguments grounded in craft carry weight. A method statement describing how the courses are taken back and re-laid, how the lead is dressed on site rather than lifted from a moulded kit, and what is reversible, lands better in Campden than a product brochure does.
Torched battens are the reason a stone slate roof is opened carefully and closed properly.
Every manufactured flashing kit is pressed to a profile: flat for slate, troughed for pantile, deep for a profiled concrete tile. None of them is pressed for an irregular hand split stone slate 25mm thick with a different exposure on every course.
On a Campden roof the weathering is formed in lead on the scaffold. Code 4 for the apron and side pieces, code 5 where the piece is exposed or acts as a gutter, dressed with a bossing stick to the actual slates it is sitting on, lapped at least 150mm and fixed at the head only so it can move along its length. Lead nailed down both edges tears itself apart within a few winters, and cracked lead along an old fixing line is one of the commonest findings when a previous opening in this town is taken apart. The metal itself is covered on lead flashing and weathering detail.
The roof structures here are not standardised. Common rafter roofs with collars, principal rafter and purlin roofs, occasional cruck and tie beam work in the oldest buildings, and a great deal of it in oak that was cut by hand and jointed with pegs.
Two things follow. The rafter spacing is irregular, so the clear width between two timbers is measured on site rather than assumed at 400 or 600mm, and a unit is chosen to fit what is there. And the historic timbers are part of the listing, so a trimmer is designed to sit against them rather than be notched into them. Where an opening needs more than one bay, the load is carried on new timber fixed to new bearings, and the calculation goes in with the Building Control application alongside the heritage submission.
A recurring pattern across approvals in this district is that two modest openings are accepted where one large one is refused. There are three reasons and they all apply here.
The pairing is set out symmetrically about a feature on the elevation below, or aligned with the openings that are already there, because alignment with the existing rhythm is the condition that comes back most often on a Campden approval.
Cotswold stone slate laid in diminishing courses on torched battens, the covering that decides the whole detail.
Cotswold stone slate in diminishing courses, which is what the survey is looking at before it looks at the glass.
Access in Campden is a real cost line rather than a footnote. Many plots have no vehicular route to the rear at all, so scaffold is carried through the house or down a narrow passage between buildings by hand. Where a licence is needed to stand a tower or a lorry on the public highway the district and the county highway authority both have a say, and that takes lead time.
The town also carries a steady flow of visitors on foot through the working day, and the Cotswold Way starts from the Market Hall, so the footway cannot simply be closed for convenience. Deliveries get timed early, the working area is kept tight and fenced, and stone is stacked on the scaffold rather than on the pavement. All of it is looked at during the survey so the figure that follows holds.
On any Severn job the roof is closed and watertight at the end of every day, and on a stone slate roof with no underlay under it that discipline decides the sequence rather than the other way round. An opening is not started unless it can be closed the same day. Where the forecast turns during the morning, outside work stops at a point where the covering is whole.
On a Campden roof this is also a heritage argument. An exposed torching or a stripped area of riven batten taking a night of rain is damage to listed fabric, and it is the sort of thing that ends up in an enforcement file. Work is planned in slope areas that can be opened and closed inside a working day, from the top of the working area downwards, with the stone sorted and stacked ready before anything comes off.
Torched battens are the reason a stone slate roof is opened carefully and closed properly.
Consent and Building Regulations are separate processes that run at the same time, and both are needed. The notification is submitted, the inspections are booked and the completion certificate comes back in the homeowner’s name as part of the job.
What gets checked on a Campden installation: the structural trimming where a rafter is cut, thermal performance of the unit against the current limiting standard, insulation carried continuously around the reveal with the vapour control layer taped to the frame, safety glazing with a toughened outer and a laminated inner over habitable space, and where the unit serves a room in the roof, the escape opening rules. The escape requirement catches people out, because a fixed conservation unit in the wrong position will not satisfy it. That is set out on roof window escape openings and the rules.
Send photographs of the roof from every direction it can be seen from, including any long view from higher ground, a photograph of the room inside, a note of the covering if you know it, and the address. An indicative range comes back by email within a day or two, together with the designation position for that address, which in this town is usually the piece of information that shapes everything else.
A survey follows, taking measurements of the coursing, the gauge, the slate thickness, the rafter positions and the pitch, plus the access route and where material can be landed. The fixed price is itemised after that: unit, labour, scaffold, reclaimed stone, lead, Building Control, and any pre-application work. The workmanship carries a ten year guarantee. Coverage across the north Cotswolds and the rest of the county is on the areas pages, neighbouring wolds towns including Moreton-in-Marsh and Stow-on-the-Wold have their own, and the costs page explains how a range becomes a figure that holds.
We will come and look at it, and tell you honestly what it needs.
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