Gloucester · Cheltenham · Stroud · the Cotswolds

Roof Window Installation

A roof window sits in the plane of a pitched roof, in line with the covering rather than on a kerb above it, and it is the unit that goes into a tiled or slated slope.

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  • 15 years in Gloucestershire
  • 10-year workmanship guarantee
  • Building Control notification handled
  • The roof is never left open overnight

Tell us about the roof

We will come and look at it, and tell you honestly what it needs.

Why installations fail

The unit is the small half of the job.

A roof window sits in the plane of the roof, so nothing about it is watertight until the covering goes back around it correctly. Four details decide that, and every one is buried under the tiles by the time the scaffold comes down.

  1. The flashing kit. Matched to the covering and its profile depth, not ordered generically.
  2. The underlay. Cut, dressed and lapped over the head so water reaches the gutter rather than the ceiling.
  3. Soakers and the head flashing. Set under the course above, never surface sealed on top of it.
  4. The trimmed opening. Rafters cut and doubled trimmers fixed, so the load goes somewhere designed.

That is what the ten-year workmanship guarantee is written against.

A roof slope at 15 degrees carrying a roof window, with a shallower dashed slope below it marked too shallow. 15° Roof window Too shallow Measured off the rafter, not the ceiling
Pitch decides which units are permitted at all. Most roof windows want 15 degrees as a minimum, and below that the manufacturer will not warrant the weathering, whatever the installer says. On the shallow rear extensions common in Gloucester it is worth measuring before choosing anything.
How it runs

Two figures, and no surprises between them.

  1. Send photographs A few pictures of the roof and the room, and rough measurements. An indicative range comes back by email.
  2. The survey Forty minutes on site. Rafter centres, pitch off a digital level, the deck, the fall, and how a scaffold reaches the elevation.
  3. A fixed price Written against what was measured, not against the drawing. It does not move unless you change what you asked for.
  4. The installation Scaffold, opening, kerb, unit, weathering, reveal and making good. The roof is never left open overnight.
  5. Notification and guarantee The Building Control notification is submitted and closed out as part of the job, and the workmanship carries ten years.
Asked before every job

The questions that come up first.

What is the minimum pitch for a rooflight?

The minimum pitch depends on which unit you mean, and there are two different answers. An in-plane roof window, the sort that sits in line with the tiles or slates, is rated by VELUX, Fakro, Keylite and Roto from 15 degrees. A kerb-mounted rooflight for a flat or nearly flat roof needs the glass itself set at a minimum of…

The full answer

Can you fit a rooflight to a tiled roof?

Yes. A tiled roof is the most straightforward substrate a roof window goes into, and it is what the manufacturers design around. VELUX, Fakro, Keylite and Roto all publish flashing kits sorted by tile profile, so the unit is ordered with a kit matched to what is already on your roof: flat, low profile or high profile. The work is…

The full answer

Does fitting a rooflight weaken the roof?

No, not when the opening is trimmed properly. Cutting a rafter does remove structure, but the load it was carrying is transferred into doubled trimmers across the head and cill of the opening and from there into the rafters either side, which is a standard and well understood arrangement. A correctly trimmed opening leaves the roof as strong as it…

The full answer

How much does a pitched roof rooflight cost?

The price of a rooflight in a pitched roof is decided by the roof far more than by the window. Two houses a mile apart in Gloucestershire can take an identical unit and produce jobs that bear almost no resemblance to each other in labour, access, materials or time on site. That is why no figure is published here: any…

The full answer

Can a rooflight be fitted from inside?

Part of it can, and the part that keeps water out cannot. A roof window frame can genuinely be set and fixed from inside the opening, working through it from a step or a small platform in the loft, and on some roofs that is a sensible way to do the carpentry. But the flashing kit, the underlay dressing and…

The full answer

Do you need scaffolding to fit a rooflight?

On almost every two storey house, yes. On a single storey rear addition, a mobile tower with a properly built platform is often enough. The decision is not made by preference or by price; it is made by the height of the working position, how long the roof is open, how much material has to travel up and down, and…

The full answer

What size rooflight fits between rafters?

Take the clear distance between two rafters, subtract about 20 to 40mm for packing and tolerance, and that is the widest frame that will drop into the bay without touching timber. On the 600mm centres of a modern trussed estate roof at Quedgeley or Bishops Cleeve, that leaves roughly 550 to 570mm clear, which is exactly why the manufacturers make…

The full answer

Can a rooflight go near a chimney?

Yes, and the useful question is how near. A chimney stack is already a hole through the roof with its own weathering around it, it sheds water sideways and downwards onto the slope, and inside the loft its breast eats a large rectangle of the space a window might otherwise use. Add a live flue and there are separate distance…

The full answer

The technical detail

The whole job, from the batten out.

A roof window sits in the plane of a pitched roof, in line with the covering rather than on a kerb above it, and it is the unit that goes into a tiled or slated slope. Severn Skylights Gloucester installs them across Gloucestershire and thirty miles by road around the city: single units into loft rooms, pairs into rear slopes, narrow ones between trusses on the estates, and conservation units into stone slate where nothing else will sit low enough. The choices that decide whether the finished job looks right and stays dry are made before anything is ordered, and most of them are decided by the roof rather than by the customer. This page is the technical detail behind that, and it sits under the wider rooflight and skylight services overview.

25 sections 29 minute read

A roof window arrives as three separate things, and two of them are not the window

What gets delivered is a frame, a sash with the sealed unit already in it, and a flashing kit chosen for the covering the window is going into. The flashing kit is a separate order line, it is specific to the profile of the tile or slate, and ordering the wrong one is the single most common way a delivery goes back.

Alongside those there are usually three collars: an underlay collar with a moulded drainage channel that carries water clear of the frame, an insulation collar that wraps the perimeter with a continuous layer, and a vapour barrier collar that gets taped to the frame on the room side. All three come folded flat in the box. All three are routinely left in the box by installers working to a price, and every one of them is doing a job that cannot be inspected once the plaster is on.

The frame and sash carry the manufacturer’s warranty. The perimeter work carries the ten-year workmanship guarantee, because that is the part the workmanship controls.

Size codes, and why an order is placed in letters before numbers

Manufactured roof windows come in fixed sizes identified by a code: two letters for the width, two numbers for the height. The letters are the important half, because the width is what has to survive contact with the rafters. VELUX, Fakro, Keylite and Roto all use their own version of the system, the dimensions overlap but do not match exactly, and a size code stamped on an old sash is the fastest way to identify a unit that is coming out. The VELUX window installation page covers that manufacturer’s range in detail.

These are the widths that come up most often on Gloucestershire roofs, set against what each one demands of the structure. Rafter widths are taken at 47mm, which is what a modern roof runs; older cut roofs are often 50mm or a full 2 inches of sawn softwood, and the arithmetic shifts a few millimetres accordingly.

Nominal frame width Common heights Clear structural opening needed At 400mm rafter centres At 600mm centres
550mm 780, 980, 1180mm about 590mm One rafter cut and trimmed Fits between two rafters with no rafter cut
660mm 980, 1180, 1400mm about 700mm One rafter cut and trimmed One rafter cut and trimmed
780mm 980, 1180, 1400, 1600mm about 825mm One rafter cut, roughly 750mm clear, tight One rafter cut, roughly 1150mm clear
940mm 1180, 1400, 1600mm about 985mm Two rafters cut and trimmed One rafter cut and trimmed
1140mm 1180, 1400, 1600mm about 1185mm Two rafters cut and trimmed One rafter cut, and the trimmer designed
1340mm 980, 1400, 1600mm about 1385mm Three rafters cut, engineer’s calculation Two rafters cut, engineer’s calculation

Read that table the other way round and it becomes a purchasing rule. On a roof at 600mm centres, a 550 wide unit is a day’s work between two existing rafters. A 1140 wide unit in the same roof is a designed member, a Building Control structural submission and a longer programme. The jump in cost between them is not proportional to the jump in glass.

Rafter centres set the width, and the arithmetic is unforgiving

A roof slope at 15 degrees carrying a roof window, with a shallower dashed slope below it marked too shallow. 15° Roof window Too shallow Measured off the rafter, not the ceiling
Pitch decides which units are permitted at all. Most roof windows want 15 degrees as a minimum, and below that the manufacturer will not warrant the weathering, whatever the installer says. On the shallow rear extensions common in Gloucester it is worth measuring before choosing anything.

The clear width between two rafters at 400mm centres is about 353mm, which takes no manufactured roof window at all. Take one rafter out and the clear width becomes roughly 753mm, which suits a 660 unit comfortably and a 780 unit tightly. Take two out and there is about 1153mm, which suits a 1140. At 450mm centres the same three moves give roughly 403mm, 853mm and 1303mm. At 600mm centres they give 553mm, 1153mm and 1753mm.

The structural opening is cut around 40 to 45mm wider than the frame and a similar amount taller, so the frame can be packed, levelled and squared rather than forced. Those millimetres are why a 780 unit into a 753mm clear opening at 400 centres does not work without shaving the trimmers, and why the honest answer on some roofs is a 660 rather than the 780 somebody has already priced up online.

Rafter centres are measured in the loft with a tape across four or five bays rather than one, because old cut roofs wander. A run that averages 420mm will contain a bay at 390 and a bay at 460, and the window has to fit the bay it is actually going in.

Pitch, and what happens below fifteen degrees

Manufactured centre pivot roof windows are rated for pitches from about 15 to 90 degrees. That covers almost every pitched roof in the county: Cotswold stone slate runs 45 to 55 degrees, Welsh slate 25 to 45, clay plain tile 35 to 45, clay pantile 22 to 35, and concrete interlocking tile 25 to 35. Top hung units usually stop at around 55 degrees, because above that the sash has to be held open against gravity by the stay rather than balanced by it.

Below 15 degrees an in-plane roof window is out of its rating, and it matters for a practical reason rather than a paperwork one: at a shallow pitch the flashing laps no longer shed water reliably and the glass stops self-cleaning. The manufacturers make a pitch-raising frame that lifts a unit into its rated range on a slope down to about 10 degrees, which sits under the flashing and reads as a slight step in the roof line. Below that the correct unit is a kerb-mounted one, which is the flat roof rooflight job, on a built-up upstand with the waterproofing dressed over it.

Pitch gets measured with a digital level on the rafters inside, not estimated from the pavement. A roof that looks like 30 degrees from the garden is frequently 26, and 26 changes the headlap and the flashing choice.

  • 90°
  • 55°
  • 15°
  • 10°

Centre pivot or top hung, and the room that decides it

The sash on a centre pivot unit turns about a mid-height axis, so the bottom of the glass swings inwards into the room as the top swings outwards. On a top hung unit the sash hinges at the head and the whole pane pushes out, leaving the opening clear.

Centre pivot Top hung
Pitch range About 15 to 90 degrees About 15 to 55 degrees
Where the sash goes Bottom half swings into the room Pushes clear of the opening
Furniture underneath Needs the space below the cill kept clear Tolerates a bed or a desk under it
Standing at the window Sash comes to head height when open Head and shoulders can go through
Cleaning the outer face Rotates through 180 degrees and locks, cleaned from inside Rotates into a cleaning position, slightly more awkward
Escape from a loft room Rarely satisfies the clear opening rule The usual answer, in a purpose-made escape version
Handle position Bar handle at the head, reachable from standing Handle at the cill on some ranges, at the head on others

The practical rule on Gloucestershire loft conversions: a top hung unit where the roof comes down low enough that furniture wants to sit under the window, and where somebody will stand and look out at the Malverns or across the vale. A centre pivot where the window is higher in the slope, out of reach of furniture, and where being able to spin the pane and wash it from a standing position in the room matters more than the view.

A centre pivot unit set low in the slope with a bed under it will be opened once and then never again.

Height in the slope: the cill at about 900mm and the head at about two metres

Two figures govern where a roof window sits vertically. The bottom of the frame wants to be roughly 900 to 1100mm above finished floor level, which is the height at which somebody sitting in the room can see the ground outside rather than only sky. The top of the frame wants to be at least 2 metres above the floor measured vertically, so that the head of the unit is above head height and the reveal is not something people duck under.

On a 45 degree roof those two figures are about 1.1 metres apart along the slope, which fits a 980 or 1180 tall unit neatly. On a 25 degree roof the same vertical difference stretches to about 2.6 metres along the slope, so a taller unit is both possible and desirable: a 1400 or 1600 in a shallow roof does the daylight work that a 980 does in a steep one. On a very steep roof the arithmetic runs the other way, and a 1600 tall unit puts its cill at knee height with the head barely at two metres.

Where a loft floor has been built up over the existing joists, which is common in a conversion, the finished floor level is 100mm or more above the level the survey first measured from. That gets recorded on the day rather than assumed, because it moves both figures at once.

  • 1100mm
  • 2m
  • 45°
  • 1.1m

Clearances from the eaves, the ridge, the verge and a valley

A roof window needs whole courses of covering around it in every direction, and that governs position more tightly than most people expect.

  • Below the unit, the apron flashing has to land on complete tiles or slates with a normal lap under them. On a double lap covering that means two full courses at minimum, and on a rear addition with a short run of slope that is often the constraint that decides everything else.
  • Above the unit, the head flashing is dressed under the course above it, so there has to be a course above it. Butting a head flashing up against a ridge tile leaves nothing to lap into, and that detail leaks in the first driven rain from the north.
  • At the verge, keep a full tile or slate width plus the side flashing between the frame and the barge. Cutting the verge tile down to a narrow sliver to make a window line up with a window below is how tiles end up unfixed and lifting.
  • At a valley, allow more. The valley gutter has its own cut line running up the slope, and the two cut lines converging leaves a triangle of tile that cannot be fixed properly. A window is either well clear of a valley or on the other side of it.
  • At a hip, the slope narrows towards the corner, so the usable rectangle shrinks as you move outward. On the interwar hipped roofs across Longlevens, Hucclecote and Warden Hill this is the reason a roof looks big from the garden and takes a smaller window than expected.

Standard depth or recessed: how far the frame sits into the covering

Most flashing kits come in two depths. A standard installation sets the frame so the top of the sash stands a little proud of the covering, which is the quickest fit and reads as a window sitting on the roof. A recessed installation drops the frame roughly 40mm deeper into the roof build-up, so the glass sits close to flush with the surrounding tile or slate and the whole thing reads as part of the roof.

Recessed is worth specifying wherever the window is visible from a road, a lane or a garden that matters, and it is often what a conservation officer is looking for on a rear slope in a conservation area. It costs a slightly different flashing kit and it changes the internal work: the trimmers sit lower relative to the covering, the reveal depth increases, and the insulation collar has less room at the head. That is a survey decision, not a decision to make once the covering is off.

Recessing also changes how the unit behaves in snow. A deeper set frame collects drift against the head flashing, so on the higher wolds villages and the Forest edge the head lap gets increased over the manufacturer’s minimum as a matter of course.

Choosing the flashing kit by the profile of the covering

The kit is chosen by how thick the covering is and how deep its profile runs, not by what the material is called. A slate and a flat concrete tile take the same family of kit despite being different materials, and two clay tiles from the same works take different kits if one is flat and one has a roll.

Covering Profile depth Kit family Gloucestershire examples
Welsh or Spanish slate, flat concrete slate, shingle Up to about 8mm Flat covering kit with lead side soakers interleaved course by course Stroud valleys, Forest of Dean terraces, Cheltenham mansard lower slopes
Clay plain tile, flat interlocking concrete tile Up to about 30mm Low profile kit with a pressed lead skirt Gloucester’s Victorian terraces, Tewkesbury, the vale villages
Concrete interlocking tile with a shallow roll Up to about 45mm Profiled kit, wider side flashing to cross the roll Longlevens, Hucclecote, Tuffley, most interwar and post-war stock
Clay pantile, deep profile concrete tile Up to about 120mm Deep profile kit, lead dressed down into each trough Newent, Ledbury fringe, older vale farm buildings
Cotswold stone slate 20 to 30mm and irregular Conservation unit with its own flashing detail and hand-formed soakers Painswick, Bibury, Northleach, Chipping Campden
Two or more units in a row or a column As above, plus the gap Combination kit sized for a fixed gap between frames, commonly 100mm or 250mm Rear slopes on loft conversions across the county

Lead in these kits is code 4 for the soakers and code 5 where it forms anything gutter-like. Every piece is fixed at the head only so it can move along its length. Lead nailed down both edges tears along the fixing line inside a few winters, and cracked lead beside an old roof window is one of the most common findings when a unit comes off for skylight replacement.

Trimmers, brackets, and getting the frame square in an out of square roof

Once a rafter is cut, the load it was carrying has to go somewhere. Doubled trimmers are fixed across the head and the cill of the opening, housed or hung on hangers rather than skew nailed, and the load from the cut rafter passes through them into the rafters either side. Over a single bay that is routine carpentry. Across two or three bays it is a calculation, and the answer is a deeper timber, a flitch plate or a small steel, submitted with the Building Control application.

The frame then goes in on brackets, usually four, screwed to the rafters and the trimmers and adjusted to bring the frame level and square. Squaring is checked on the diagonals, not by eye against the tile courses, because the tile courses on a hundred year old roof are not square either. A frame racked by 5mm across the diagonal will still take its sash, and the sash will bind on one corner for the rest of its life and wear a gasket flat on the other.

On trussed roofs the webs and the chords stay whole, because they are part of a triangulated frame held with punched nail plates. An opening either fits between two trusses or the affected truss is carried on a designed member spanning to the trusses either side. Across the newer estates at Quedgeley, Bishops Cleeve, Ashchurch and Yate that is why the narrow 550 wide units exist and why two of them in adjacent bays is so often the better answer than one wide unit and a structural submission.

Battens, gauge, and the cut tiles at the sides of the opening

Battens are cut back to the trimmers and new battens are fixed to carry the courses that come back around the frame. Gauge has to be re-established exactly, because the flashing kit is designed to work with a covering laid at its correct lap and a batten set 20mm out of gauge shows as a kinked course running away from the window for two metres in each direction.

At the sides, tiles get cut to fit against the frame. A cut tile has lost its nib or its nail holes, so it is mechanically fixed with a clip or a nail through a drilled hole, and anything cut narrower than about half a tile is not fixed reliably at all. Where the arithmetic leaves a sliver, the answer is to shift the window one batten gauge or half a tile width so the cut lands somewhere fixable. That is a five minute decision on the roof that stops a tile coming down the slope in a gale five years later.

Underneath, the underlay is dressed rather than slit. The collar is taken up over the head of the frame and stapled to the batten above, and its side pieces are dressed into the frame’s own drainage channel, so any water crossing the covering lands on the membrane and runs down outside the frame. On an old roof with brittle bitumen felt the membrane is renewed locally in breather grade before the collar goes on, because stapling a new collar to felt that crumbles achieves nothing.

What the loft void decides before anything is ordered

A roof window seen from inside a room in the roof

Half an hour in the roof space settles most of the specification. Purlins are the first thing to find: in the interwar and Victorian cut roofs across Charlton Kings, Warden Hill and Gloucester’s suburbs there is usually a purlin running horizontally at about mid-height, propped by struts down to a load-bearing wall or a binder. A purlin is not cut. The window sits above it or below it, and on a typical rear slope that leaves around 1.1 to 1.4 metres of clear vertical run.

Struts and their positions matter as much as the purlin, because a strut lands where it lands and it frequently lands in the middle of the bay somebody wants the window in. Collars, where a roof has them, tie opposite rafters at high level and reduce the head height available. Ceiling binders sit in the loft floor and get in the way of the internal reveal rather than the opening.

The last thing to check is the sarking. Some Forest of Dean and Cotswold roofs are boarded rather than battened over open rafters, which means the opening is cut through the boards as well and the boards are supported at the cut edge. That is not difficult, it is simply another half day and it belongs in the price rather than in a surprise.

The tank, the soil pipe, the cabling and the chimney breast

Older Gloucestershire lofts are full of services that were installed when nobody imagined a window going in. The cold water storage cistern in a gravity system usually sits central on the rear slope, propped on boards across the joists, precisely where the daylight is wanted. Moving one is plumbing work with its own consequences for the system pressure downstairs, so the sensible sequence is to design the window position around it, or to establish early that the household is going to a mains-pressure system anyway.

The soil vent pipe rises through the roof close to the bathroom, and a bathroom is one of the rooms most often getting a roof window. The pipe cannot be moved sideways without opening the wall below it, so the window goes to one side and the flashing keeps clear of the pipe’s own weathering slate. Older lead-covered vent pipes are worth photographing for the survey notes.

Cabling, ancient television feeds, and the occasional buried junction box get traced before the saw comes out. And where a chimney breast rises through the slope, the stack has its own apron, side soakers and back gutter, all of which need their falls and laps left alone. A window is kept a clear tile width plus the flashing from a stack, and on a narrow terrace slope in Tredworth or Barton that single constraint can decide the whole layout.

Escape from a loft room: the figures the sash has to meet

Where a roof window is the escape and rescue opening from a room formed in the roof, the clear openable area has to be at least 0.33 square metres, with a minimum of 450mm in both height and width, and the bottom of that openable area between 800 and 1100mm above the floor of the room. A fixed unit in that position does not satisfy it, and neither does a small opening one.

The figure that catches people is that the clear area is measured on the actual sash and its hinge geometry, not on the frame size printed in the brochure. A centre pivot sash blocks its own opening with the pane, so the clear area is much smaller than the frame. That is why an escape position takes a top hung unit, and usually a purpose-made escape version whose sash swings out towards 90 degrees. The manufacturer publishes a clear openable area for each unit, and that published figure is what goes to Building Control rather than a calculation off the frame dimensions.

The 800 to 1100mm cill band interacts with everything in the section on height above. On a steep Forest of Dean roof at 45 degrees, an escape unit set to put its openable area in that band sits low in the slope, which is good for the view and bad for furniture, and the room layout gets drawn around it. On a shallow rear addition roof the band may be unreachable within the run of slope available, in which case the escape provision has to be solved elsewhere in the design.

  • 450mm
  • 1100mm
  • 90°
  • 45°

Sizing for the daylight the room needs rather than for the roof

The starting rule of thumb for a habitable room is a glazed area of somewhere around a fifth of the floor area, and a roof window delivers more daylight per square metre of glass than a vertical window of the same size because it sees open sky rather than a fence, a hedge and the house opposite. A single 780 by 1180 unit lights a small bedroom properly. It does not light a 4 by 5 metre loft conversion, and no amount of white paint changes that.

Distribution matters as much as area. Two units spread across a slope light a room far more evenly than one large unit in the middle, because the second one fills the shadow the first one casts. Two also give cross ventilation if they are far enough apart, and on a long rear slope they usually cost less in total than one wide unit that needs a structural member.

Orientation decides the character of the light. North facing gives constant, cool, shadowless daylight that is ideal for a study or a workroom and never overheats. South facing gives brightness and heat, and needs solar control glass and probably a blind. East facing wakes the room early. West facing is the difficult one: low afternoon sun straight onto overhead glass, which is why a west facing loft room without solar control glazing becomes unusable in July. The energy efficient rooflights page works through the numbers behind that.

A roof window sitting in the plane of a tiled slope
A roof window sitting in the plane of a tiled slope

Glass for a unit you look up at

Overhead glazing is a different specification problem from a vertical window, for three reasons: the sun hits it at the hottest part of the day, rain lands on it directly, and if it ever broke it would fall into the room.

So the outer pane is toughened and the inner pane is laminated wherever there is habitable space, a stairwell, a bath or a shower underneath. Laminated glass holds together on a plastic interlayer instead of falling as fragments, and it has a second effect that people notice more: it damps rain noise. On a shallower pitch, where rain hits closer to square on, a laminated inner is the difference between a bedroom you can sleep in during a Severn Vale downpour and one you cannot.

A low emissivity coating on the inner pane reflects long wave heat back into the room, and a current manufactured double glazed roof window runs around 1.0 to 1.4 W/m2K against roughly 2.8 to 3.0 for a unit from the early 1990s. A solar control coating on the outer pane cuts the incoming heat, bringing the g-value down from about 0.5 to roughly 0.25 to 0.3, and it is the single most useful upgrade on any south or west facing loft.

One thing worth knowing about triple glazing in a roof: the outer pane runs colder, because less heat escapes through it to warm it. On clear still mornings in autumn that means dew forms on the outside of the glass and clears when the sun reaches it. The unit is working correctly. An anti-dew coating on the outer pane reduces it, and it is worth specifying on a window that faces a bedroom’s morning view.

Blinds, insect screens, and the plaster that has to stop short

Blinds fit to the frame, not to the plaster, and every manufacturer’s blind system relies on a groove or a bracket position in the frame’s top cover. If the plasterboard lining runs tight over that groove, the blind cannot be fitted later without cutting the finished reveal back. So the decision about blinds is made before the plastering, even if the blinds themselves are bought two years afterwards, and the lining is stopped short at the correct offset.

The same applies to an insect screen, which runs in a track at the head of the frame and pulls down over the opening. Anyone planning to have a window open on summer evenings in a vale village near standing water will want one, and it needs the head of the reveal to leave the track accessible.

Electric blinds need a feed. A low voltage supply run to the head of the frame while the reveal is open costs almost nothing; running one afterwards means lifting a floor or chasing a wall. Solar powered blinds avoid that entirely and are the sensible choice on a unit high in a slope. Where the window itself is going to be electrically operated, the wiring is planned at the same time, and that is covered on the electric rooflight installation page.

Manual, rod operated or electric, decided by how far the handle is

An interwar hipped roof of the kind common across Gloucester suburbs

A bar handle at the head of a centre pivot unit is reachable from standing if the top of the frame is around 2 metres above the floor and the pitch is not extreme. Push the head much above that, or work on a 45 degree Forest of Dean roof where the frame runs steeply away from you, and the handle stops being reachable by anybody who is not on a chair.

A telescopic rod is the low cost answer for a unit slightly out of reach, and it works well for an occasional opening. It is less good for a window somebody wants to open every morning, because fishing a two metre pole out of a cupboard is a friction that ends with the window staying shut.

Above a stairwell, over a landing, in a double height space, or anywhere the unit is genuinely unreachable, an electric opener with a rain sensor is the only option that gets used. The sensor closes the sash when rain starts, which is the difference between leaving a window open during a working day and not. That decision is worth making before the plaster goes on, for the same wiring reason as the blinds.

Two units side by side, or one above the other

Multiple units in one opening line use a combination flashing kit built for a fixed gap between the frames, commonly 100mm or 250mm, and that gap is not adjustable on site. A 100mm gap reads as one large glazed area split by a slim structural strip. A 250mm gap reads as two distinct windows. Both are deliberate looks, and picking one after the roof is open is not an option, because the kit is already made.

Side by side is the usual arrangement, and it needs a rafter or a designed post between the two openings carrying its share of the load. On a roof at 600mm centres, two 550 wide units in adjacent bays with the existing rafter between them is the elegant version: no structural design, a large glazed area, even light, and one scaffold.

One above the other, sometimes with the lower one fixed and the upper one opening, suits a steep roof where a single tall unit would put its cill at ankle height. It also suits a mansard where a steep lower slope meets a shallower upper one, though at that point the upper unit is often a kerb-mounted rooflight rather than a roof window because of the pitch.

A roof window can also be combined with a vertical unit below it, set into the wall where a slope meets a gable or a knee wall. That arrangement puts the sky and the ground in the same view, and it is one of the few ways to give a loft room a proper outlook rather than a rectangle of cloud.

  • 100mm
  • 250mm
  • 600mm

Painswick, Bibury and a covering the flashing kit was never drawn for

Cotswold stone slate defeats standard flashing kits, and it does so on two counts at once. The slates are 20 to 30mm thick, which is three times what a low profile kit is designed to weather, and they are laid in diminishing courses with the gauge changing continuously up the slope, so there is no repeating module for a manufactured soaker to sit into. Underneath, the joints are commonly sealed from below with a lime mortar torching mixed with animal hair, often over riven battens and with no underlay at all.

What follows is that an opening in a stone slate roof is not cut and closed around a frame. The courses above are taken back up the slope, the frame is set, and the courses are re-laid downwards while the diminishing gauge is re-established so the finished roof reads correctly. Slates come out broken, so reclaimed stone gets sourced to match thickness and weathering colour, and new stone stands out against a two hundred year old roof for a decade.

The unit itself is different too. A conservation rooflight has a slim cast or pressed steel frame, one central glazing bar and a profile designed to sit almost flush with a thick slate, which is the whole reason the product exists. Sizes are limited and the internal reveal has to be built to suit a frame that is not a standard roof window. The conservation rooflight installation page covers the sizes, finishes and the conversation with the conservation officer that comes first.

Steep Welsh slate around Coleford, Cinderford and Mitcheldean

Forest of Dean roofs are steeper and wetter than the vale, commonly 40 to 45 degrees, in small format Welsh slate with a generous headlap, and frequently over sarking boards. Driving rain arrives from the south west with real force behind it, so head laps get increased over the manufacturer’s minimum and side flashings are taken wider than the kit’s standard dimension.

Steep pitch changes the inside of the job as much as the outside. The reveal becomes a taller box, the head of the frame sits further above floor level for a given position, and a manual handle at the head becomes a stretch. It also means more of the unit is visible from the road below than on a shallow roof, which matters in the former mining terraces inside the Forest’s conservation areas, and it is one of the places a recessed installation earns its extra cost.

Old slate is brittle at the nail holes. Lifting slates around an opening on a hundred and fifty year old roof breaks a proportion of them however carefully it is done, so matched second hand slate is on the van before the work starts rather than sourced in a hurry afterwards.

A roof window seen from inside a room in the roof
A roof window seen from inside a room in the roof

Cheltenham’s shallow upper slopes, where a roof window is the wrong unit

Central Cheltenham’s Regency terraces are largely mansard: a steep lower slope in Welsh slate that you can see from the pavement, and a shallow upper slope behind a parapet that you cannot see at all. Lansdown, Montpellier, Pittville and the Bath Road terraces are full of them.

The shallow upper slope is frequently below the 15 degree minimum a roof window is rated for, sometimes down at 5 to 10 degrees, which makes it kerb-mounted rooflight territory rather than roof window territory. The steep visible lower slope will take a roof window technically, and on a listed building or in a conservation area it is exactly the elevation where a unit is most likely to be resisted.

That combination is why these buildings need the consent conversation before the product conversation. Listed building consent is required for an alteration whether or not it can be seen, and visibility strongly affects what an officer will accept, so a hidden flat behind a parapet is a very different proposition from the face above the front door. It is worth getting a camera up on a pole first, because a good number of these roofs already carry Victorian or Edwardian openings on the flats that nobody on the street has ever noticed.

Bathrooms, kitchens, and the finish on the sash

A lacquered pine sash in a bathroom is a maintenance commitment. Humid air condenses on the coldest surface in the room, which is the glass overhead, and it runs down onto the timber at the bottom of the sash. Lacquered pine handles that for years if the room is ventilated and the lacquer is kept up, and it fails at the bottom rail if it is not.

The alternative is a sash and frame with a moulded polyurethane finish over a timber core: white, wipeable, no re-coating, and unaffected by the moisture. In a bathroom, a shower room, a utility or a kitchen that is the specification worth paying for, and it is why the same window comes in two versions from every manufacturer.

Ventilation is the other half of it. A vent flap in the head of the unit gives continuous background ventilation, which in a bathroom is doing real work rather than satisfying a box on a form. Where the window is above a bath or a shower, laminated inner glass is required rather than advisable, and the extract fan still has to do its job: a roof window is not a substitute for mechanical extract in a room that generates that much moisture.

Once a year: the filter, the hinges, and the pane that turns

A roof window sitting in the plane of a tiled slope

The vent flap on a manufactured roof window has an air filter behind it, a strip of foam or fleece that collects dust and pollen. Vacuum it once a year and the background ventilation keeps working. Ignore it for a decade and the flap is effectively closed, which is a common and invisible cause of a room that has become stuffy and damp since the window went in.

The pane on a centre pivot unit turns through 180 degrees and locks with a barrel bolt at the head, so the outer face can be washed from inside the room standing on the floor. It is the reason a centre pivot is the practical choice on any window that is not reachable from outside, and it is worth being shown how to do it on handover rather than working it out from a leaflet.

Hinges take a drop of light oil. Gaskets last a long time and eventually go hard, at which point a unit that has always closed sweetly starts to whistle in a south westerly, and that is a sign the whole unit is approaching the end of its service life rather than a fault in itself. Where a sealed unit has misted or a frame has reached that stage, the work is covered on the skylight replacement page, and a like-for-like swap through the roof usually leaves the internal plaster and decoration untouched.

Building Control on a new roof window, and how a job starts here

Forming a new opening in a pitched roof is notifiable work, and the notification is submitted, the inspections booked and the completion certificate closed out as part of the job. Four parts of the regulations bear on a roof window: structure, where trimming rafters or carrying a truss needs a calculation; conservation of fuel and power, where the limiting standard for a replacement roof window sits at 1.4 W/m2K and any current unit is comfortably inside it; fire safety, where the escape figures above apply if the window serves a room in the roof; and safety glazing, covering the toughened outer and laminated inner panes. The certificate comes back in the homeowner’s name, and it is the document a buyer’s solicitor asks for years later.

Most roof windows in a house go in under permitted development, because an in-plane unit projects less than the 150mm limit beyond the plane of the existing slope. Flats and maisonettes have no permitted development rights for roof alterations, Article 4 directions remove rights street by street in parts of Gloucester and Cheltenham, and the local planning authority is the only body that can confirm the position for a specific address.

To start, email info@severnskylightsgloucester.co.uk with a photograph of the roof from the garden or the street, a photograph of the room from inside, what the covering is if you know it, and roughly where you want the daylight to land. That produces an indicative range by email within a day or two, then a survey, then a fixed price that holds. The costs page sets out what moves a figure and why there are two of them, the areas pages cover the thirty miles by road, the guides answer individual questions in more depth, and about explains how the company works and what the fifteen years have been spent on.